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Montreal celebrates the 100th anniversary of the birth of King Coupé Cloué and Queen Celia CruzHaïti
Montreal celebrates the 100th anniversary of the birth of King Coupé Cloué and Queen Celia Cruz
Haïti
  • February 11, 2025
  • | 0

Montreal celebrates the 100th anniversary of the birth of King Coupé Cloué and Queen Celia Cruz

The Légendaires collective, based in Montreal, announces the celebration and commemoration of the 100th anniversary of the births of Coupé Cloué and Celia Cruz, born on May 16th for Coupé Cloué and October 21st for Celia Cruz. This highly deserved gesture of appreciation for these two major figures of Caribbean music is a demonstration of the bright legacy they left behind after their time on this earth. When referring to their contributions to the musical world and the magnificent symbolism their voices represent for their respective countries, this commemoration is indeed an opportunity to celebrate their identity alongside their music.

The main events scheduled for this commemoration will take place on February 28th, May 10th, and October 18th. The event on February 28th at the Maison d’Haïti located at #3245, Émile-Journault Avenue will mark the launch of the celebrations honoring both artists. There will also be a Gala on May 10th in honor of King Coupé and October 18th in honor of the Cuban Queen.

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A Dynamic Team

The organizational committee for the 100th Legendary Anniversary is composed of well-known personalities in Montreal’s Haitian community. The general coordination is handled by Ronald Osias, Myriame Brès, and Yanick Joseph. The treasurers are Cynthia Gabriel and Willaine Juliassaint, while the artistic coordination includes Philippe Fils-Aimé, Ronald Osias, and Jean Pierre Moutou. The communications and public relations department is managed by Raymond Laurent, Murielle Baron, Ludwy René, and Fritzner Pierre, with secretariat and logistics handled by Yanick Pierre-Louis and Marcelin Désir. Me François Moïse is the press officer in Haiti. Volunteer members include Fedrick Pierre, Barbara Jean, Guerdie Monfiston, Caleb Desrameaux, and Jeff Wainwright. Additionally, the volunteer artists are Barbara Ruiz, Ernst Mildort, Mixsy Lova, Mireille Philosca, Yanick Joseph, Tactic Polo, and Jean Pierre Moutou. The initiative is led by the Agency for the Promotion of Culture and Arts S.E.N.C., headed by Ronald Osias, with the support of immediate partners such as: The Arts and Memory Collective, Maison D’Haïti, ADMCN Agency, Rigaud Benoit Foundation, the 911 organization, Samedi Midi Inter Program, Imaj-La Média, Kulturmania Productions, PBS Haïti Radio, Haitian Television of Montreal, Cosmeme, Caspag Club, and haitiwonderland. All these people and businesses, along with numerous volunteers, have united behind this noble idea to ensure the success of the events taking place as part of this commemoration.

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Caribbean Unity

Simply linking these two great names of Caribbean music is a significant achievement. Queen Celia, a Cuban who lived much of her life in the United States, never abandoned her attachment to her native Cuba. On the other hand, King Coupé Cloué is one of the most qualified voices to represent Haïti in the musical field. The salsa of the queen, less danced in Haiti, and the compas of King Coupé, not particularly popular in Cuba either, are both connected through the warmth of the Caribbean found at the heart of their creations. And Caribbean unity is made possible thanks to King Coupé and Queen Celia, with this encounter taking place in Montreal on February 28. The fact that both of these figures were born in the same year (1925) offers a unique opportunity to celebrate them, and the Légendaire collective has certainly seized that opportunity.

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From the Caribbean to the Rest of the World

The fact that this commemoration takes place in Montreal, Canada, is a serious symbol of the influence both artists have on their respective diasporas. It is also a declaration that Caribbean music (as with all other music in the world) creates encounters, and has the power to form universal bridges that can connect Caribbean cultures with the rest of the world.

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A Promotion of Haitian Music

Compared to other cities around the world, Montreal is a major crossroads where cultures meet. It is a city that represents the world as a whole. While there is a large Haitian and Cuban community in this great city, it is certain that this event will also be an opportunity for compas music to open up to other communities in order to win their hearts.

An Opportunity to Discover the Rich Legacies of the Two Legends

On the occasion of this commemoration, it is fitting to recall the immense legacy these two great musical personalities left behind. Queen Celia’s hits, such as "Bemba Colorá", "Quien Será", "La Vida es un Carnaval", "Yo Viviré", and on his side, Coupé Cloué’s classics such as "Coupé Cloué", "Yeye", "Map di", "Myan Myanm", "Fanm kolokent"... continue to bring joy today and inscribe the happiness that music brings to our minds.

This celebration, which will take place on the dates mentioned above, also has an extraordinary significance in the sense that it gives the past its rightful place. It is a way of affirming that by drawing inspiration from the past, we can best build the future. The Cuban queen and Haitian king are clear examples of Caribbean excellence. To elevate them is to honor their countries (as they marked the history of their countries with their music) and their cultures of origin, while opening the field to inspire today’s youth to follow in their footsteps, for the well-being of millions of music lovers around the world.

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Moise Francois

Journalist editor, poet and apprentice lawyer.

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Pity or the work of an old soul crushed under the weight of an absinthe-flavored existence

The word crisis carries an infinite number of meanings. No intention of revealing them all this afternoon. However, a few clarifications are necessary. A kid whose parents do not have enough money at Christmas to buy her a Little Black Mermaid doll has a fit and locks herself in her room without touching her meals for the day. A boy whose dog was suddenly poisoned by a neighbor in revenge or shot after contracting rabies, losing a faithful friend overnight, enters into crisis. Finally, a society in the grip of all sorts of mutations and whose leaders are weak, perhaps prolonged in a deep crisis. In the first case, the young girl sulks to attract the attention of her parents in order to feel appreciated by children her age at school or in the neighborhood. Today, thirty minutes of negotiations can be enough to find a lasting solution. In my day, a few well-aimed belt blows would have overcome this whim. But, humanity evolves, they say. In the second case, this boy can find his smile again after a few weeks. He needs a little attention and, probably, another dog. As Stendhal would say, only passion triumphs over passion. In the last case, this society led by inepts is shaken to its deep foundations. Its institutions can disintegrate one by one. The vital forces dissolve in no time. This situation creates a societal tsunami that destroys all life within this community. It is indeed a crisis. The crisis from this point of view constitutes an alarming, desperate situation in the existence of a community where nothing is going well. Chaos reigns supreme. The very essence of life disappears. The individual can take precedence over the community. Everyone tries to solve their problems without worrying about others. The closest neighbor is relegated light years away from you. How can we turn to creation? How can we continue to conceive of otherness? How can the artist absorb this great collective disarray as a source of motivation? These are the questions I must answer. An artist sees and feels what ordinary mortals cannot even imagine in a thousand-year life. He creates to denounce, when his conscience as a human being is revolted. He exalts heroes or the homeland according to his feelings. He sings the beauty of an irresistible, captivating or ugly resplendent woman. He can also use the ambient desolation to give meaning to life. Creating in literature as in the arts in general does not depend on the situation. The act of creation depends on the creator’s disposition. Events paralyze some and galvanize others. Creating is enjoyable. Everyone therefore enjoys according to their own whim. Writing opens the way to change. The writer takes a different look at the world. By embedding himself in reality, he embellishes it, makes it better or hideous depending on the message he intends to share. All things considered, with him, life is never fixed. Writing is putting the world in a jar to travel the universe. The artist broods over his work in all weathers. Oswald Durand was delighted to see Choucoune’s beautiful body from his secret observatory. Musset, on the other hand, was in pain writing his October night. As for Dany Laferrière, in exile, he described the horrors of the Duvalier dictatorship and the carefree attitude of the young girls in his neighborhood in this violent and dangerous world. Ultimately, the writer lives in a society with values ​​that he shares or not. They condition his existence or have no hold on him. In many ways, the surrounding world serves as his laboratory. He carries out his experiments there. He casts a new, worn, disillusioned, melancholic, violent, bitter look at the world depending on his mood. Pitié is the work of an old soul crushed under the weight of an existence that tastes of absinthe. Young Mike Bernard Michel lives by expedients and lies. The hands of life fall on him with indescribable violence. Misfortune embraces him day and night. Should we give up? Musset liked to say: "Man is an apprentice, pain is his master. And no one knows himself until he has suffered." The artist must produce under all skies. Such is his vocation. Incompetents in power, legal or highway bandits, the high cost of living, unemployment, heartaches are all subjects of concern for him. If it is true that a hungry belly has no ears, the fact remains that it keeps the brain awake. What am I saying, it stimulates it to the point of creating timeless works. Mr. Pitié, you have a bright future ahead of you. Work of Jean Rony Charles, the book is available from Éditions Repérage.

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History

History

First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.

Natural beauty

Natural beauty

Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.

Heritage

Heritage

Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.

Culture

Culture

Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.